God’s Own Garden: Mawlynnong, Asia’s cleanest village

#cleanest village, #community living, #ecofriendly, #india, #living root bridge, #Mawlynnong, #photography, #quaint, #sustainability, #travel, #travel photography, #Meghalaya,

I woke up with a start. The clouds thundered, electrifying and streaking the distant skies with lightening, each of which was spaced just seconds away from each other. The rains created a noisy ruckus, pouring over the tin roofs. The noise was spectacularly frightening, as I was startled awake from my disturbed sleep every few minutes, fully shaken. It was as if the heaven was about to fall. Tucked away in a cosy homestay in Mawlynnong in Meghalaya, I tossed and turned all night, Continue reading “God’s Own Garden: Mawlynnong, Asia’s cleanest village”

No, spotting a Rhino wasn’t so thrilling after all!

#kaziranga, #onehornedrhino, #indianrhino, #worldheritage, #wildlife, #wildlifesanctuary, #assam, #india, #conservation,

It is a matter of great chance, persistence, fortitude and patience that goes into spotting an elusive tiger. Numbered around 3000 in India, each tiger occupies an area it calls home, often spanning more than 40 sq kms. No wonder, the rarity & the dispersion across a wide area, makes a tiger sighting extremely difficult. Of course, the sheer power & the majestic yet ferocious presence that the tiger exudes coupled with the fear it inspires, makes it an exciting thrill to pursue while inducing a greed to increase the chance encounters.

The One-horned Indian Rhinoceros is different game all together. Continue reading “No, spotting a Rhino wasn’t so thrilling after all!”

A 7000 stair trek to Nongriat’s Living Root Bridge

#asia, #bridges, #forest, #hike, #homestay, #india, #jungle, #manmade, #must do, #nature, #nongriat, #photography, #root bridges, #serene, #steps, #travel, #trek, #village, #waterfall, #Meghalaya

 350 seediyan hai. Pehle neeche phir upar jaati hai, phir village aur bridge aata hai. Ek baar main gaya tha. Uske baad 2-3 din tak bimaar padh gaya. Seedhiyon se nafrat si ho gayi thi  (It is 350 odd stairs that go down and then up to the village and the bridge. I did it once and after that , I fell in bed for 2-3 days. I hated the sight of stairs),” muttered Tapan, our driver in Cherrapunjee, once the rainiest place on this earth. From his sombre voice, it was evident that this was his attempt to discourage me from doing the trek to the village, based on his bad experience. The trek to the Living Root bridge of the Nongriat village near Cherrapunjee is not for the weak kneed or the faint hearted as I was soon about to find out.

The living root bridges of Nongriat village are one of the manmade wonders, dating back many centuries. The aerial roots of Banyan tree on opposite sides of the river are continuously twisted, given direction and woven together, till it can be shaped and strengthened into a sturdy bridge. This is the only means for the villagers to cross the raging water streams to reach the other side. There are two living root bridges in Nongriat, a single deck bridge and a double decker bridge.

#asia, #bridges, #forest, #hike, #homestay, #india, #jungle, #manmade, #must do, #nature, #nongriat, #photography, #root bridges, #serene, #steps, #travel, #trek, #village, #waterfall, #Meghalaya
View of Nongriat village (Mid of the mountain on the left)

Dismissing Tapan’s foreboding warning of things to come, I decided to embark upon the trek to the village the next morning. After all it was just 350 steps!  What was he talking about! It couldn’t be that bad after all. After reaching the Tyrna village, the starting point on top of the mountain, I found a guide named Phil. Phil was a smiling young lad, right out of school, who was killing time and making some pocket money by offering to guide in the few months he had before he had to join college. The board at Tyrna village indicated a 3km hike to the Nongriat village and some mild alarm bells were set off in my head. 3km and 350 steps didn’t quite add up!

The path to the village is a cemented staircase in middle of a thick jungle, that first reaches the bottom of the valley and then after crossing the river, another flight of stairs upwards lands one at the village. Very casually, we walked down the flight of stairs, enjoying the beauty around. After about ½ hr of walk down the stairs, with knees beginning to become wobbly, I figured we must have actually done double of 350 steps that my driver warned me about. I asked Phil, how many steps were actually there? To my shock, he said 3500! Clearly Tapan didn’t count properly! Well, shoot me, I said. Phil smiled helplessly. How was I even going to get through it, with my knees already wobbling! Walking down was the easy part I figured. Walking up the steep and narrow flight of stairs could be a death wish! Never mind, I would crawl up. But it was a problem for later.

So we continued. The breathtaking hike through the forest was well worth it. The jungle was enveloped with clouds and the morning dew made everything look fresh and beautiful.  We saw a few villagers coming up the stairs. One was a little girl in a school-dress, not more than 7-8 years, who was walking up the stairs to go to school! It was very hard to imagine that the young kids did this everyday! Just for basic things like going to school and getting a good education!  Soon, we spotted two more villagers who were transporting local produce in heavy sacks strapped to their backs. To see & experience the hardships that the villagers faced day in and day out, was extremely heart wrenching. What made them go up and down the stairs every day? Why couldn’t government make more efforts for them to easily connect with the world outside, like making ropeway trolleys. But observing them gave me the impetus to complete rest of the trek without a whimper.

 

#asia, #bridges, #forest, #hike, #homestay, #india, #jungle, #manmade, #must do, #nature, #nongriat, #photography, #root bridges, #serene, #steps, #travel, #trek, #village, #waterfall, #Meghalaya
A girl treks to the top everyday to go to school – Nongriat

 

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A villager carries his produce to the top of the mountain – Nongriat

 

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The never ending stairs – Nongriat

After the steep flight of stairs down, we arrived at a small village, from where the single root bridge can be accessed. We progressed ahead, arriving at a wobbly iron bridge at the bottom of the valley. Crossing it for the first time, gave me a good scare. While Phil languorously strolled ahead, with wind in his hair and spring in his step, here I was, sweating by litres, clutching the swaying bridge for my dear life and crawling ahead. I did not want to look down at the water stream 30 ft below, for I would have succumbed to my fear of heights and gotten fully paralysed. Miraculously, I survived, only to find another higher and longer iron bridge after a short walk ahead. History repeated itself as this also I survived. Phew!

#asia, #bridges, #forest, #hike, #homestay, #india, #jungle, #manmade, #must do, #nature, #nongriat, #photography, #root bridges, #serene, #steps, #travel, #trek, #village, #waterfall, #Meghalaya
The shaky iron bridge – Nongriat

 After a short walk up on another flight of stairs, we arrived at Nongriat village. Nestled in the middle of the jungle was this quaint and clean village, freshly sprayed clean with the shower that had just started. The village is fully off the grid and hence has become a hotspot for trekkers who want to be engulfed by nature. There were a few homestays I found on the way where trekkers esp from abroad were relaxing.  It is commendable what the villagers have done to encourage responsible tourism while protecting nature. They have contributed towards a community guesthouse for trekkers, have made large dustbins for collecting waste etc. They respect nature by keeping the village clean. It is a harmonious co-existence of villagers, nature & tourists. A short walk from the village, is the Living Root Bridge. The first view of the root bridge mesmerised me and made the arduous trek fully worth every drop of sweat and every ache in my body. It felt as though I had arrived in paradise. With chirping birds that began to emerge after the downpour, the double decker bridge in middle of a thick jungle, set right across a rumbling waterfall and over a gentle water stream, was a sight to behold. The double bridge was a masterpiece in itself, with intertwined roots made sturdy over centuries. The villagers are working on creating a third deck, by twisting and shaping the roots. Perhaps in a half a century, it would be fully made. The water was so clear, cool and fresh and it was enticing me for relaxing dip. I hadn’t got a change of clothes, so I just made do by sitting with my feet swaying in the water and periodically dipping my face in it. Mesmerized with the bountiful  greenery around me, I thoroughly enjoyed the beauty of the place amidst the slight drizzle.

 

#asia, #bridges, #forest, #hike, #homestay, #india, #jungle, #manmade, #must do, #nature, #nongriat, #photography, #root bridges, #serene, #steps, #travel, #trek, #village, #waterfall, #Meghalaya
Welcome to Nongriat

 

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The double decker Living Root bridge of Nongriat

 

#asia, #bridges, #forest, #hike, #homestay, #india, #jungle, #manmade, #must do, #nature, #nongriat, #photography, #root bridges, #serene, #steps, #travel, #trek, #village, #waterfall, #Meghalaya
The Double decker Living Root Bridge of Nongriat

Ahh, I so didn’t want to go back. It is quite natural to feel like this in middle of nature, completely off the grid, where one can unburden the stresses of daily life and try to find a rhythm between self & nature. I bumped into a foreigner who completely endorsed my sentiments. He, like me, had come for a day trek and decided to stay back after feeling enchanted by this place. My resort in Sohra doesn’t know where I am, he said very coolly. I wished I could have done the same. But I am a woman with proper plans and it would mean the rest of my trip would have gone for a toss. A small tea shop right next to the bridge was just perfect to have a cup of hot tea and steaming Maggi, before I reluctantly winded my way up.

The rains had cleared up the clouds on the way up and I could see the spectacular landscape of the valley, gasping in awe of how much we had walked. Slowly and steadily, I made my way up, not knowing what was sweat and what was rain drops on me. This time I had counted. It was 3500 stairs (app 5000 steps ) from the bridge back to the top which meant we had done 7000 stairs and total 10000 steps up and down. But it didn’t hurt one bit, for my body and mind had found a gentle rhythm to propel me further. I met an aghast Tapan at the top, for I had completed the trek in 4.5 hours which is quite an average time clocked for the trek. Thank god you didn’t tell me it will be a 7000 stairs trek,  I would not have ever done it, I told him. The loss would have been only mine!

 And yes, my body revolted at the sight of stairs for almost a week after that.

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How to get there:

Tyrna village, the starting point of the trek is ½ hr drive away from Cherrapunjee. From there it will take a relaxed 1.5 hr walk down to the Nongriat Village and then a 2 hr walk up. Budget 4-5 hours including stops.

Where to stay:

If you want to do a day trek, stay in one of the Hotels in Cherrapunjee. However, it is recommended to stay at Nongriat village for a night or two to thoroughly experience the place. Serene homestay is a good option. Expect nothing fancy.

What to do:

Carry swimming trunks and a towel if you want to dip in the stream. If you plan to stay,  walk around on other trails to nearby villages and take a dip in many waterfalls along the way. Also trek up for an hour to Rainbow Falls which is supposedly very scenic and highly recommended by all trekkers and locals alike. Chances of spotting an actual rainbow over the waterfalls are very high. It rains abruptly making the stairs slippery, so wear trekking boots and waterproof  your camera and phones. Travel light.

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Sualkuchi – Weaving silken dreams

india, travel, photography, Silk, weaver, assam, assam silk, textile, handloom, craft , worker

Hum sab workers ne protest kiya. Hum Varanasi se cheap powerloom products yahan aane nahi de sakte tey. 2-3 log bhuri tarah ghayal hog aye use protest mein (We all weavers organised a protest. We couldn’t let the powerloom products from places like Varanasi enter this village. 2-3 people were injured badly in the fighting that erupted during the protest),” said Tapan, a supervisor of handloom silk factory employing 20 workers in Sualkuchi.

Sualkuchi (pronounced as Hualkusi), popularly known as the Manchester of the East, is a small village 35 kms from Guwahati where the primary occupation of the villagers is silk weaving of the famous and fine Assam Silk. Assam is famous for Muga, Pat & Eri Silk of which the Muga silk is the only one exclusive to  Assam as silkworm from which it is made is endemic to Assam. It is naturally golden in colour and the colour only becomes more bright and golden with every wash. Pat silk also known as Mulberry silk, is pearly white and is made from mulberry silkworms. Eri silk is also known as the Ahimsa silk as the silk threads are made from the cocoons after the adults have left it and hence the pupae are not killed in the harvesting process unlike what happens in the harvesting of other varieties of silk.

The silk handloom tradition in Sualkuchi dates back to 11th century when the Pal dynasty king established the village by bringing in silk weaving families from Tantikuchi and settled them here. The tradition continued over generations, firmly entrenching Sualkuchi by 17th century as the silk weaving centre of Assam, producing fine Mekhela Chadars, Gamosas (both are traditional Assamese garments worn by women & men respectively) & Sarees. As I walked through the back-lanes of the village, through open doors and windows, I could see almost every household having 2-3 looms. I visited some medium scale ‘factories’, either with 30- 40 looms operating from a whole floor of a 2 storeyed run-down house or with 20-30 looms in an improvised cowshed behind the residential huts. It is estimated that in a population of 14000, the village has about 17000 looms which well indicates the prominence and importance of weaving in every villager’s life.

No wonder the battle between handloom and powerloom is a battle for survival of this traditional craft. Mechanising the industry with powerloom reduces the cost of labour & hence lowers the cost of the final silk weaves. Few years ago, the market was besieged with powerloom products from Varanasi which often used cheaper silk, i.e. silk mixed with polyester which reduced the prices further.  Since it is difficult for a consumer to tell the difference between powerloom and a handloom weave and equally difficult to tell the difference between 100% silk and adulterated silk, the costs charged by the local handlooms comes under a big question and puts further pressure on the viability of the handloom factories. “Powerloom iss village mein aane hi nahi de sakte (We cannot let powerloom enter this village),” passionately cries Tapan.

The angst is well justified. I could only understand it better when I walked into a shop. As my jaw dropped after hearing the prices of sarees (a pure silk saree costs upwards of Rs.5.5-6K), the shop manager, Arun, visibly upset with the look on my face said, “Aap mere saath aayiye madam. Main aapko dikhata hoon. Aap phir samjhenge iski saree ki keemat (You come with me madam. I will show you. Only then you will appreciate the worth of this saree).” As I walked into a rundown factory, I was indeed appalled. The conditions in which the weavers work is frightening and saddening. Most factories are set up in jute and bamboo sheds, much like an improvised cowshed! The factories are cramped to pack in as many looms as possible, fitting in as many as 30 looms in a 600sqft area. There is little sunlight and no fans to keep them cool on a hot summer day. The process of silk weaving is time consuming and labour intensive. Depending on the design, it could easily take 6-7 days with 12-14 hours of non stop work with only lunch breaks in between to weave a full saree. There are no fixed hours of work and no weekends off either. Only in the context of seeing the working conditions and knowing about the tedious process, was I able to appreciate the “worth” of the silk weave and the angst the weaver community had towards onslaught of cheaper and inferior powerloom products.

Equally, skilled labour is also increasingly hard to come by. “Wapas aayenge ki nahi pata nahi (I don’t know whether they will come back or not),” laments Arun who is also supervisor of the handloom factory apart from being the shop manager. Since there is a state election the next day, he has given an off to the workers to go back to their villages to cast their vote. That is the sad reality. While lot of government effort has gone into making it a co-operative industry, it still remains highly unorganized.  Many villagers have given up the traditional craft to pursue more lucrative opportunities in cities. Hence most of the weavers are migrants who come in from other parts of the country to work & earn here. But there is no system to check, verify and track the workers, making it difficult for factory owners to get reliable labour.

The rocketing raw material prices have further put pressure on the industry here. The process of cultivating silkworms, harvesting and creating the threads have been mostly outsourced while some local operations still exist. The pat silk threads usually come in from Bangalore and the supplies have shrunk, spiralling the prices upwards. Coupled with the flooding of the market with ‘semi silk’, which is nothing but synthetic silk made with polyester with a look & finesse of real silk and at almost 1/5th the price of real silk, the viability of the handloom industry is really challenged.

Despite all the issues plaguing the industry, it refuses to die. The demand for Assam silk is very high and Sualkuchi contributes to ~75% of the Assam’s output. It is the hub for wedding shopping as prices here can be easily lower by 1500-2000 rupees and in an Indian wedding where clothing is gifted to close relatives from both bride and groom side, buying in bulk does mean lots of savings! Demand is also coming in from international buyers from Thailand, Germany etc. who buy in bulk and sometimes also give their own designs for production. Several government initiatives are helping the handloom owners after their plight has been highlighted by media and in other forums. For e.g. Govt has set up a fashion institute in collaboration with NIFT which imparts training for skill up-gradation, design process & innovation, apart from widening their perspective on fashion and trends, so that they can cater to demand in a fast changing fashion environment. Traditionally, the design pattern for the borders and the motifs embellishing the saree are first sketched and then holes are manually punched on paper cards. These reams of design cards are mounted on the loom and the weaving happens as per the patterns on these cards. Now with the help of the institute, design process and the punching is now being increasingly computerized, saving lot of time and manual effort.

Tapan speaks about his future, “Experience mil gaya hai mujhe. Ab apna chota factory open karoonga (Now I have the experience. I want to open a small factory of my own).” As Tapan continues to talk about his dreams, his young 8 yr old son, Shyam, walks in to eagerly show us more about the factory where his dad works. “Ji haan. Usse sab aata hai. Roz yeh sab dekh raha hai jab se bacha tha (Of course! He knows how to weave. He has been seeing all this everyday since he was a child),” says Tapan upon being asked whether Shyam knows how to weave as well. Will Shyam continue in his father’s footsteps, I ask eagerly. “Bas padh likh kar achi naukri kare city mein, main toh yeh hi chahoonga (I only wish that he studies well and gets a good job in the city),” he says with a dreamy voice. The dreams are indeed silken.

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How to reach Sualkuchi

It is 35kms from Guwahati, about an hour’s drive.  Stay in Guwahati.

Visit the place before noon. Weavers have lunch breaks from 1-3pm.

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india, travel, photography, Silk, weaver, assam, assam silk, textile, handloom, craft, worker
Peeping inside open windows, looms visible in each house – Sualkuchi, Assam

 

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A cramped factory in a shed – Sualkuchi, Assam

 

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A silk weaver – Sualkuchi, Assam

 

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Silkworm Cocoons – Sualkuchi, Assam

 

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Threads – Sualkuchi, Assam

 

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Silk threads – Sualkuchi, Assam

 

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Son of a worker shows how to operate the spindle – Sualkuchi, Assam

 

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Design Cards mounted on the loom for creating motifs – Sualkuchi, Assam

 

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The Silk Weaving tool – Sualkuchi, Assam

 

india, travel, photography, Silk, weaver, assam, assam silk, textile, handloom, craft , worker
A silk loom – Sualkuchi, Assam

 

india, travel, photography, Silk, weaver, assam, assam silk, textile, handloom, craft , worker
A silk shop – Sualkuchi, Assam

Serenity by the Umiam Lake, Shillong

#umiamlake, #shillong, #meghalaya, #india, #travel, #serenity, #travelphotography

Shillong is better known as the Melting Pot of North East, it being the gateway to experience the rich culture and treasures that the lands in faraway east provides. A two day getaway to Umiam Lake, right on the outskirts of Shillong, is highly recommended to undo your lifestyle  stresses and prepare yourself to experience the melange of culture that north east offers.

Nestled amongst the thick pine forest on the hilly terrains surrounding this huge man-made lake, is a getaway like no other – Ri Kynjai resort. Farwaway from maddening  city crowd and with spectacular views of the lake, peace and tranquility welcomes you with open arms. Made in beautiful traditional wood, furnished with wood and cane furniture and decorated with stunning artifacts from northeast, the resort has a colonial feel to it and is truly a cosy home away from home. Huge french windows invite you into enjoy nature, uninterrupted by any human form or element. Sit out on the balcony, snuggle up in a blanket and read a book for hours, sipping on hot tea , only to look up every few minutes and admire the beautiful landscape. Stunning sunrise from the hills right across the lake will jostle you awake very early in the morning and ensnare you to follow the natural trekking path down the hill to the edge of the lake, the way this landscape is best enjoyed.

The place lulls you into a slow pace of life and that can be only enhanced by giving in completely. So sit back, meditate, slow down, get a traditional Khasi massage and prepare yourself for the cultural experience in northeast that beckons.

#umiamlake, #shillong, #meghalaya, #india, #travel, #serenity, #travelphotography
View from the room; Umiam Lake, Shillong

 

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By the Umiam Lake, Shillong

 

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By the Umiam Lake, Shillong

Hampi – A Mythical & Majestic Landscape of Rocks, Ruins and Temples

#architecture, #culture, #hampi, #heritage, #history, #india, #photography, #travel, #roadtrip, #UNESCO, #Karnataka, #worldheritage, #photography

As a history buff interested in old civilizations, seeing ruins of old cities gives me an unparalleled high in imagination. To step back in time & to imagine a whole city above & around a meter high of ruins, to imagine who all walked that part of the earth, to imagine their daily lives is just pure adrenalin rush for me. I often complained about lack of good old ruins in India after my unbridled joy in experiencing the ruins of old Roman & Greek cities spread across the Mediterranean. Nothing prepared me for what I saw in Hampi, a great ghost town, a city abandoned after destruction, a beautiful ruin like no other in India.

The mythical, yet forlorn and stony landscape of Hampi entices and awes in the first look and before I knew it, I was head over heels in love with Hampi.  The landscape, dotted with granite rocks and boulders, some which are precariously perched on the edges of the rising hilly outposts, casts rusty orange hues with the rising sun, only to be interspersed with some lush greenery of coconut palm trees and paddy fields, swaying to the breeze from the mighty Tungabhadra river flowing alongside. Scattered on this earthy landscape are the 5 century old stunning ruins of Hampi, with innumerable ruins of temples, palaces, bazaars etc. It is an alluring place, an abandoned ghost town, standing still in time, waiting to be explored, and bewitching one to fall in love with it. The sight looked daunting, as I didn’t know where to start and how to finish, greedily at that, and not wanting to miss even one small piece of history anywhere on the 9 sqm ruins of Hampi.

Hampi, a UNESCO World heritage site, was the capital of the Vijaynagara empire and one of the richest & the largest cities in the world in the 16th century. Such were the riches of the people of the city, that the long bazaars in front of the temples sold precious stones much like grocery items! After the invasion by the Deccan sultanate in 1565, who repeatedly plundered Hampi, it lost its glory and was abandoned, never to be reoccupied again. Hampi has mythological connections. In ancient times, it was known as Pampakshetra after goddess Pampa who was Brahma’s daughter and later became Shiva’s wife. Hampi is also connected with Ramayana as Anegudi, which is across the river, is considered to be the birthplace of Hanuman. Hampi was also known as Kishkinda which is where Rama supposedly beheaded Bali to install Sugreeva on the throne and muster  support to free Sita from Lanka. Many events in Ramayana have been identified with specific locations around Hampi, like the cave where Sugreeva hid Sita’s jewels, which she dropped from the aerial chariot while being abducted and the rock where Sugreeva was crowned, amongst many other such markings.

Hampi was established by the Sangama brothers, Hukka & Bukka, in 1336 who were chieftains under the rule of Kampila, a small kingdom in the Tunghabhadra valley. The kingdom continued to expand under the rule of kings of the Sangama dynasty, Devaraya I and Devaraya II who expanded the kingdom covering all land south of the Krishna river. When the fortunes of the kingdom eroded with the repeated conflict with the Bahmani rulers, Narasimha Saluva took control in 1485 and established the second dynasty at Vijaynagara, called the Saluvas. In 1505, Vira Tuluva seized the kingdom the third dynasty of Tuluvas was established which produced the most famous kings, Krishnadevaraya and Achutaraya, under whom the Vijaynagara reached the peak of its culture, power and glory. It was in 1565, the capital fell to Deccan sultans after which the city was abandoned and the 4th Dynasty of Vijaynagara empire, the Aravidus, controlled the decaying empire from Penuconda in Andhra and eventually faded into history.

Hampi was a 2 night stop on my 2500 km road trip route from Mumbai – Bijapur – Badami – Aihole – Pattadakal – Chitradurg – Jog Falls – Konkan Coast – Goa – Ganpatipule – Mumbai. (Read more about the full trip here ->2500 kms of Road Trippin’ through North Karnataka & Goa). Hampi is spread over 9 sq miles and one needs to be prepared to walk a lot.  Though autos ply on the main road, one is tempted to walk and lose oneself in the ruins of Hampi. There are 3000 temples & points of interest in Hampi and it will take a year to see all of them!!  To cover the main attractions at leisure, one needs 3 days. To make the best of your time, follow this useful 3 day comprehensive walking tour:  http://hampi.in/3-day-hampi-itinerary

Hampi can be divided into four routes groups and covered in such fashion – route 1 covering the Sacred centre around the Virupaksha Temple, route 2 covering the royal centre with the royal palace ruins, route 3 covering the Vitthala temple, riverside ruins and Achutraya Temple vicinity, and route 4 covering the Zenana enclosure and the museum. The major points of interests in Hampi are:

Virupaksha Temple

The majestic Virupaksha temple dedicated to Shiva and his two consorts, sits right on the river bank. The temple complex was enhanced by Krishnadevaraya upon his coronation in 1510. The temple ceiling has exquisite paintings depicting the marriage of Shiva & Pampa and scenes from Ramayana. Also deep inside the temple complex, is a place where architecture meets optics and magically, without use of any mirrors, the shadow of the temple’s gopura forms an inverted shadow vs an upright shadow!

#architecture, #culture, #hampi, #heritage, #history, #india, #photography, #travel,  #roadtrip, #UNESCO, #Karnataka, #worldheritage, #photography
Virupaksha Temple, Hampi

Hampi Bazaar and Nandi

Right outside the temple, is a 750 mtr long Hampi bazaar or market area, which are now in ruins thanks to the occupation and conversion to dwelling houses by locals, who are now relocated to outskirts of Hampi. At the end of the street, is a Majestic Nandi monolith and a mandapa, which has been converted into a Museum to display early photographs of the site from 20th century, right from the time of discovery of Hampi and before and after the restoration of the ruins.

 

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Hampi Bazaar and the Monolith nandi, hampi

 

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Monolith Nandi, Hampi

Matanga Hill

Best way to observe Hampi is to climb up the Matanga hill, to the right of Hampi bazaar, at sunrise and experience the awe-inspiring landscape of Hampi.

Hemkuta Hill and the Ganesha monoliths

Walking right from the Virupaksha temple, one arrives at the Hemkuta hill which is dotted with many small temples and shrines. The hill also serves as a sunset point and is one of the magical ways to experience Hampi. The two major points of interest here are the Kadalekalu Ganesha temple, which has a large monolithic statue of Ganesha, and the the Sasivekalu Ganesha Temple, which also has a large monolithic statue of Ganesha surrounded by majestic columns.

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The shrine atop Hemkuta Hill, Hampi

 

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The Sasivekalu Ganesha , Hampi

Krishna Temple & Bazaar

Walking southward from the Hemkuta hill, one finds the Krishna temple erected by Krishnadevaraya in 1515 to commemorate his victories & the adjacent scenic Krishna bazaar surrounded by hills and has a stepped water tank and small pavilion in the middle of it.

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Krishna Temple, Hampi
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Krishna Bazaar, Hampi

Lakshmi Narasimha, Badavilinga and Uddana Virabhadra temples

Further south, after crossing lush paddy fields, can be found two more stunning temples: The Lakshmi Narasimha temple which hosts a huge monolithic statue of Narasimha, the man-lion avatar of lord Vishnu. The adjacent Badavalinga shrine has a huge monolithic Shivling and continue to be used by locals. Further down south is the Uddana Virabhadra temple, used by locals and is dedicated to goddess Kali. Right outside is a ‘sati’ stone  dedicated to a general who contributed to the temple.

 

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Lakshminarasimha Temple, Hampi
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Badavalinga Temple, Hampi

Sisters’ Stone or Akka Tangi Gudda

These two massive natural stones, leaning against each other, lie at the entrance of the road that leads to the royal centre. Legend has it that two travelling sisters who were visiting Hampi, became jealous of the city & its glory and said some bad things about the city. The reigning deity was enraged and turned them into stones! Nevertheless, the massive stones are a wonderful sight to see.

The underground Shiv Temple

A little further from the Sister’s stone is the Underground Shiv temple complex. It was fully buried with time, but the excavation resulted it in being below the ground level.  It is a massive temple complex and partial remains of a gopura can be seen at the entrance.

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The underground shiv temple, Hampi

Royal Palace ruins & Hazara Rama Temple:

Exploring the sprawling royal place ruins will take better part of the day at Hampi. First on the route are the Noblemen’s Quarters, a walled palace complex called the Dannayaka Enclosure with walls and basement of palaces and has the Band Tower, a Mosque, a mint area, remains of the palace of Vira Harihara and Krishnadevaraya.  Further ahead is the majestic Hazara Rama Temple, which has intricate reliefs carved on the walls. Near to Hazara Rama Temple is the entry to the Royal Enclosure where the king used to conduct his daily duties. A lot of the structures in this complex were built in wood and hence were destroyed when the city was set on fire. It is here that one can find many interesting structures like a geometrically shaped stepped tank, the underground chamber for secret discussions, an audience hall which is in ruins and one of the majestic structures in the area called as the Mahanavami Dibba from where the king used to watch the parades.

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The Mahanavami Dibba, Hampi
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Remain of palace complex, Hampi

The Queen’s Bath & the Octagonal Bath

A short walk from the the royal enclosure is the Queens’ bath. It is a hexagonal shaped architectural beauty with influence of Islamic architecture and has a stepped pond inside for the queen to bathe. The Octagonal bath lies amidst the place complex ruins.

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The Queen’s bath, Hampi

The Zenana enclosure & Elephant Stables

The ruins of a huge walled compound are known as the Zenana enclosure or the harem. Inside the enclosure is the famous Lotus Mahal, which has distinct Indo-Islamic architecture and was naturally ventilated using air shafts.  There are many deep water tanks & a granary in this area. The impressive elephant stables are a long line of 11 chambers with distinct Indo- Islamic architectural style. It is believed that many monuments which had Indo- Islamic influence were left untouched by the raiding Deccan sultanate army.

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Zenana Enclosure, Hampi
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Elephant’s Stable, Hampi

Vitthala Temple complex & Stone Chariot

Walking left from the Hampi Bazaar, one comes to the riverside from where one can take a coracle boat ride which takes about a leisurely half hour to reach the Vitthala Temple complex.  There is the legendary cave of Sugreeva on the banks of Tungabhadra. At a distance, remains of the Tungabhadra bridge connecting Vijaynagara to Anegudi can be seen. The remains of the Vittala Bazaar are seen right outside the temple. Just after entering the temple, is the most famous attraction of Hampi – the monolithic Stone Chariot. Two elephants are seen pulling the chariot, though originally horses were there. Facing the stone chariot is the Maha Mantapa with unique monolithic carved granite pillars called as the musical pillars which emit musical notes of different instruments when tapped.  This majestic temple is an architectural beauty with many intricate reliefs carved on the temple walls, showcasing the life in Hampi in the 16th century.

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Catching a cool shade on a coracle boat, Hampi
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The Vittala Temple, Hampi
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Stone Chariot, Vittala Temple, Hampi

Achyutaraya’s Temple complex & Kings’ balance

Walking away from the Vitthala temple, back towards Hampi, one finds the King’s balance with inscriptions of Ramayana. The King used the balance to weigh himself and give away his weight’s equal in gold and precious stones to temple Brahmins. Further ahead is the Achyutaraya’s temple dedicated to the lord Tiruvengalanatha along with the remains of the bazaar.

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The King’s balance, Hampi

Kodandarama temple complex

Coming back to the riverside starting point for the coracle boat ride and the one finds the Kodandarama temple complex dedicated to Rama, Lakshaman, Sita & Hanuman. Along the riverside, there are many reliefs carved on the rocks.

 

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Hampi at Sunrise

I would have missed many other smaller attractions due to paucity of time, but was glad to have covered most it. Hampi left me feeling greedy. It drew me in and captured my imagination. I began to imagine & visualise the life in glorious Hampi in 16th century, of the riches of the bazaars and of the grandeur of the palaces, dreamily wishing to be borne back then. I wanted more and more of Hampi, not wanting to go back, only to be dreamily consumed by imagination and love for the mythical and majestic landscape that is Hampi.

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How to reach:

The nearest railhead is at Hospet which is 16kms away.

The nearest airport is at Hubli which is 160kms away.

 

Where to Stay:

Stay across the river from Hampi at Virupapur Gaddi in one of the many guesthouses frequented by foreigners. This side has a bustling nightlife and shops for buying in clothes & other knick knacks. We stayed at Mowgli Guesthouse which was nice & clean with great views of paddy fields behind. It was a short 10 min walk to the ferry point to cross the river to Hampi ruins.

Tip:

Catch the sunrise from the Matanga hill and the sunset from the sunset point on the Hemkuta Hill. Hampi is an open air museum and can get really hot during the day. Carry shades, cap & bottle of water and something to eat if you plan to walk the whole day as you will not find any food amongst the ruins.

The three Chalukyan Dynasty gems – Badami, Aihole & Pattadakal

Badami, Aihole & Pattadakal were important capitals and seats of power for the Chalukyan dynasty and are important in understanding the history of Deccan and temple architecture in India. Badami & Pattadakal have been designated as UNESCO world Heritage sites whereas Aihole is on the pending list for approval. Together these three Chalukyan gems form the cradle of temple architecture as the architecture style of the these heritage sites defined the Hindu temples’ architectural style for centuries to come.

The Chalukyas ruled over large parts of Deccan from the 6th to the 12th century.  Pulakesin-I founded the dynasty in Badami and hence they are known as the early Chalukyas or the Badami Chalukyas. Most famous of all the Chalukyas was Vikramaditya II whose military campaigns against the Pallavas in south have been inscribed on a pillar at Pattadakal.

The temples at Badami, Aihole and Pattadakal are remarkable and since they were located in Deccan, they have a mix of styles and architectural techniques borrowed from the Dravida style of temple architecture from south & the Nagara style architecture of the north.

These heritage sites were a stop on my 2500kms road-trip route from Mumbai – Bijapur – Badami – Aihole – Pattadakal – Chitradurg – Jog Falls – Konkan Coast – Goa – Ganpatipule – Mumbai. Ideal base to cover the three gems is Badami as both Aihole & Pattadakal are an hour’s drive away and ideally it will require a full day at each place to do equal justice. (Read more about the full trip here ->2500 kms of Road Trippin’ through North Karnataka & Goa).

BADAMI:

Badami caves complex of 4 main caves and other smaller caves is a UNESCO world heritage site, built in 6th century by the Chalukyas. The caves are considered a prime example of rock-cut architecture which transformed the Indian temple architecture in centuries to come. The caves are dedicated to Shiv & Vishnu. Cave 4 has some Buddhist & Jain reliefs as well.

Badami caves are on the hills on the south side of Agastya Lake named after one of the saptarishis, Agastya. On the eastern corner of this lake, is the Bhutanatha group of temples dedicated to local deity – Bhutanath. The temple parts were constructed over 4 centuries – 7th – 11th – and hence have architectural inspiration from different periods.

On the north side of the lake, is a sandstone hill on top of which is located the Badami fort. The path to the top is behind the Badami Archaeological Museum at the base of the cliff. The path is well laid with stairs and once can walk up to the top quite comfortably to catch stunning views of the city.  One finds two open mandapas on the way to the top where there is a Lower Shivalaya temple & one Upper Shivalaya temple. Remnants of the fort can also be seen enroute like the cicrcular outlooks, granaries and a ruined fort complex.

There is a Banashankari temple located 5kms away on road to Gadag.  Dedicated to the house goddess Banashankari, it was built by the Chalukyas in the 7th century. It is still in use today & old spectacular lamp towers are found adjacent to the temple alongside the huge water tank inside the temple complex.

 

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Entrance to Badami cave
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Relief in cave 4, Badami
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Reliefs in Badami Caves
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Reliefs in Badami Caves
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Bhutanatha temple, Badami
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temple Ruins atop the hill with the Badami fort, Badami
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Upper Shivalaya on top of the hill housing Badami Fort

AIHOLE:

Best way to start the tour of Aihole is to climb up the Meguti Hill and catch the sunrise over Aihole from there. Though it looks quite imposing from a distance, the paved road for a taxi goes quite far up the hill, leaving you with hardly 100 odd steps to climb to reach the top.

At the crest of the Meguti hill, is a two-storeyed Buddhist temple with tall columns. A few more steps, and you reach the hill top which has a majestic Jain Temple of 7th century & fort ruins on the sides. From here you can see the city of Aihole.

The majestic semi-circular temple Durga Temple complex is the most famous attraction of Aihole. Mistakenly thought to be dedicated to a goddess, the origins of its name is from the word “Durg’ or fortified outlook that covered its roof once upon a time.

Another attraction in the Durga Temple complex is the Lad Khan temple, originally a shiv temple but later got its name from a Muslim general who occupied it and made his home there. There are many other small temples that dot this main complex and can be enjoyed at leisure.

Walking out of the Durga Temple complex and towards Meguti hill, there are ruins of many well preserved temple complexes. There are Ambergudi, Chikigudi & Huchimalligudi temples nearby which are well preserved and can be enjoyed at leisure.

One of the most attractive temples is the Ravanaphadi temple, a huge free-standing rock cut temple from early Chalukyan period. Huge reliefs of Shiva & Vishnu adorn the temple.

One needs a day and a half to cover the many other monuments of Aihole. It is very saddening to see many temples in disrepair as the village settlements are encroaching the temple ruins. Stones from the temples have been used by villagers to build their houses. Lot of work by ASI has happened to relocate the village settlements away from the ruins, but a lot of work till needs to be done.

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Steps to top of Meguti Hill, Aihole
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Buddhist Temple, Meguti hill, Aihole.

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Durga temple, Aihole
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Lad Khan temple, Aihole
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Ravanaphadi temple, Aihole
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Inside Ravanaphadi temple, Aihole

 

PATTADAKAL:

The best way to enjoy Pattadakal is to catch the sunrise over the monuments. Pattadakal is a well maintained, massive UNESCO world heritage temple complex consisting of 8 temples, all dedicated to Shiva. The two largest & most impressive ones are the Virupaksha temple & it’s matching smaller version, the Mallikarjuna Temple, funded by the sister Queens, Queen Lokmahadevi & Queen Trailokamahadevi respectively to commemorate their husband’s, Vikramadtya II’s, successful military campaigns against the Pallava dynasty.

In the same complex are smaller temples: Kadasiddeshwara temple, Jambulinga temple, Galagnatha temple, Sangameshwara temple and Kashivishwanatha temple amongst 100s of smaller shivlings. There is a Papanatha temple which is a short walk away from this main temple complex.

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Mallikarjuna Temple, Pattadakal

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Virupaksha temple , Pattadakal
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Pattadakal Temple Complex

 

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Where to Stay:  The best place to stay in Badami is at Clark’s inn which is a 5 min walking distance from the caves. The best place to stay is at Badami to cover both Aihole & Pattadkal, both of which are barely an hour’s drive away.

Tip: Beat the crowd and start early. In winters, the monuments open at 6 am. Catch the sunset at Badami from Bhutanath temple or climb up the hilltop to the North fort/ Upper Shivalaya temple to get panoramic view of the city against the setting sun. Catch the sunrise at Pattadkal and from Meguti Hill at Aihole.

A Day in Bijapur

Bijapur or Vijayanagara or the City of Victory, is a typical small Indian city but is loaded with history. It was capital of the Chalukyas in 11th -12th century and later of the Bahmani Sultanate king of Gulbarga. Most of the well known monuments of the city were built by the Adil Shah dynasty, most notable being the Gol Gumbaaz.

Bijapur was a night’s stop on our 2500kms road-trip route from Mumbai – Bijapur – Badami – Aihole- Pattadkal – Chitradurg – Jog Falls– Konkan Coast – Goa – Ganpatipule – Mumbai. ( To read about the full road trip , click here -> 2500 Kms road trip through North Karnataka & Goa ). We had just one day to cover the city of Bijapur. One ideally needs one and half days to cover the city at leisure, but with proper planning and setting ourselves a time limit of 1 hour at each monument, we were able to cover most of the city in one day with lot of time left on our hands to relax.

We arrived in Bijapur after a 12hr drive from Mumbai covering almost 500kms. We started out at 6am in the morning & breezed down the Mumbai – Pune Highway, stopping at good old McD’s for breakfast. We got on to NH-9 after Pune, heading straight to Sholapur, stopped on the way at Kamat’s for lunch & then took the NH-13 to Bijapur. The roads were good except the last patch of NH-13 which is an unlit one lane state highway and hence a pain to drive what with blinding oncoming headlights post sunset.

We hit the city early next day at 8 am and reached Gol Gumbaaz. If you are an early riser, the gates open at 6am at which time there are no crowds and you will have the entire place to yourself. We kicked ourselves for not getting there earlier when we saw hordes of school children who arrived by busloads on their annual school trip. It was quite painful to get even one photograph without it being photobombed with kids from all sides.

Gol Gumbaaz is the the mausoleum of Muhammad Adil Shah known for its amazing dimensions – It is the 2nd highest dome in the world after the Vatican and has one of the biggest single chamber spaces in the world. The inside of the dome has unique acoustic features and acts as a whispering gallery as even a slight murmur in one corner can be heard from across the chamber. We spent a good three hours at the monument and climbed to the rooftop to get some amazing views of both interior of the tomb and the outer landscape of the city.

Next stop was Ibrahim Rauza, which is also known as the Taj Mahal of the Deccan for having purportedly inspired the design of the Taj Mahal in years to come. It was built by Ibrahim Adil Shah II in mid 17th century and has his tomb and a mosque on a common raised terrace surrounded by a huge garden.

Jod Gumbad’s twin domed tombs were built in memory of Khan Muhammad and Abdul Razzaq Qadiri. This is in middle of a village and is being used as a mosque, so I wasn’t able to go inside.

On can easily skip the Taj Bawri. Once a beautiful step well, it is reduced to a garbage disposal water body with some local villagers washing clothes on the other side. An eyesore!

Bara Khaman is the unfinished mausoleum of Ali Roza II, meant for him & his wives. Supposedly the work was stopped as it could have overshadowed the brilliance of the Gol Gumbaaz.

From there on we went to Jami Masjid which is the largest mosque in Deccan/ south India built by Adil Shah 1 in 16th century. Not as much a sight as Taj-ul-Majid at Bhopal, but nonetheless is an important monument in the landscape of Bijapur.

Wander to the Uppali Burj, a 16th century watch tower built by Hyder Khan to strengthen the city’s defences.  There is also Malik-e-Maidan, which is a majestic site with a 55T canon, the largest medieval cannon in the world. For those who are religiously inclined, there is also a huge Shiva temple called Shivgiri, which is on the outskirts of the city.

 A quick immersion into the 4 century old city, replete with architectural attractions was well worth it. Bijapur is an important town to understand the history of India and should be stop in every history lover’s explorations through Karnataka.

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Where to Stay: Hotel Basava residency is a decent option and is on the main road from where you can cover all attractions.

Tips:  Get to the sites as early as possible. In winter time, sites open as early as 6am. Check the timings and get in early. While all attractions are at walkable distance from each other, in case you do need to take a rickshaw, negotiate hard. Some autowallahs do fleece outstationers.

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Gol Gumbaaz, Bijapur
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View from the terrace, inside the Gol Gumbaaz, Bijapur
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Ibrahim Rauza- Bijapur
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Inside the Ibrahim Rauza, Bijapur
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Jami Masjid, Bijapur
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Bara Khaman, Bijapur

2500 kms of Road Trippin’ through North Karnataka & Goa

Road Trippin’ through Mumbai – Bijapur – Badami – Aihole- Pattadkal – Chitradurga – Jog Falls– Konkan Coast – Goa – Ganpatipule – Mumbai

The idea for this 2500 kms of history, nature & leisure roadtrip originated when my husband and I decided to do something exciting around the already planned  new year get-together at Goa with friends. We embarked upon a road trip through north Karnataka to see some of the major historic UNESCO heritage sites of the Chalukya & Vijaynagar empire at Badami, Aihole, Pattadkal & Hampi and then zipped down to Goa Continue reading “2500 kms of Road Trippin’ through North Karnataka & Goa”

Time travelling through 6000 yr old Harappan towns– Lothal & Dholavira

The Harappan Bull Seal (Source: Harappa.com)

My fascination with ancient civilizations started with the picture of the Harappan bull seal in our class 8 history textbook. When most kids would loathe the idea of going to museums during summer vacations for holiday homework project, I would love to spend hours at the Museum of National History in New Delhi, wanting to know more about history & civilisations. The ancient indian civilisation is called as the Indus valley civilisation or the Harappan civilisation that spread Continue reading “Time travelling through 6000 yr old Harappan towns– Lothal & Dholavira”

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A 3-Day Offbeat Kutch

Experiencing White Rann under a full moon night, getting fooled by mirages in the Little Rann, stalking wild asses, feeling awed by fossils at Chobari and stepping back in history by 6600 yrs at Dholavira.

The pictures of the moonlit white desert or the Rann of Kutch have been tantalizing  and beckoning me since many years. The burning desire to spend a night at the Rann, experiencing it in a unique way Continue reading “A 3-Day Offbeat Kutch”

A Moonlit Night’s Introspection at the Rann of Kutch

#Rann of Kutch, #india, #gujarat, #introspection, #kutch, #moonlight, #rann, #nature, #nightphotography, #photography, #serenity, #silence, #insignificance, #travel, #travel photography, #salt desert, #white desert

Experiencing nothingness, infinity, silence, insignificance & purposelessness.

The Rann, they say, can’t be captured; it can be only experienced. Nothing else said could have been truer about Rann. Wanting to experience something offbeat, we decided to spend some time on a full moon night at the Great White Salt desert also known as Continue reading “A Moonlit Night’s Introspection at the Rann of Kutch”

A ‘Crowd-bombed’ Trip to Elephanta Caves

“Crowd-bombed”: When millions of unknown faceless nameless people make their way into your photos & memories.’’  ~ A self invented, face-palming realisation at many a travels.

One of the major irritants of travel photography is being ‘crowd-bombed’. You travel for the love of exploration but so do millions of other people. They find their way into your photos and your photo memories and eventually into your Continue reading “A ‘Crowd-bombed’ Trip to Elephanta Caves”

A Ferrari Speed Thrill in Spain

“Faster faster faster, till the thrill of speed overcomes the fear of death.” ~ Hunter Thompson.

The lure of the adventure and exhilaration of speeding cars has always captured the imagination of many a man. When my speedometer barely crosses 50kmph on a good day due to a taco-phobia (fear of speeds), I have always wondered why speed thrills. What is it about speed that makes men want to live on the edge, flying down a track Continue reading “A Ferrari Speed Thrill in Spain”